Maurice's Audio CDR Trade List

Last Updated on 3/9/2008

BOB DYLAN:

(1) The Genuine Basement Tapes - 5CD set. Plentiful sessions of Bob with The Band from this era. Brilliant for any Bob fan. Good sound quality.

(2) Ace of Clubs - 5CD set. Recorded live in 1999 on club dates Dylan did while on the road with Paul Simon. Excellent Sound quality.

(3) Live 25 September 2000 (with non-overlapping material from 24 September) - 2 CD set. Recorded in Portsmouth, England. Best sound quality on live bootleg I've ever heard. Great choice of repertoire.

(4) Freewheelin' Bob Dylan Outtakes - 1CD. Outtakes from sessions for classic second album. Many songs never seeing light of day. Excellent sound quality.

(5) Rich For Poor - 2 CD. Live gig on 1986 tour with Tom Petty and the Heartbreakers. Band in great form, and Dylan sounding like he's really enjoying it. Pretty good sound quality.

(6) The Dylan/Cash sessions (1CD) - Excellent session of Dylan with Johnny Cash during the Nashville Skyline sessions.

(7) Rough Cuts (Infidels Outtakes) (1CD) - Many songs that didn't make it to Infidels (highly underrated album in my opinion) plus alternate versions of songs that did make the cut.

(8) Highway 61 Revisited Again (H61 Outtakes) - (1CD)

(9) Pathway to the Stars (2 CD) - Live from 2000 tour. Great repertoire and performance, although sound not quite as good as (3).

(10) The Genuine Bootleg Series 1(3 CD) - Stuff in the vein of the Columbia box set. More unreleased and alternate version gems. Brilliant.

(11) The Genuine Bootleg Series -Take 2 (3 CD) As per 11

(12) The Genuine Bootleg Series 3 (3 CD) As per 11

(13) Hard to Find Vol 7

(14) The Minnesota Tapes - (3 CD) pre-Columbia recordings (1961) of Dylan doing mainly folk and blues standards (Woody Guthrie gets a BIG look in). Reasonable sound quality for what it is (home recordings). Essential listening for historical reasons and very enjoyable musically.

(15) The Gaslight Tapes (1CD) Pre Columbia recordings in folk club. Remastered to excellent quality with a great repertoire of early material, a good portion never officially recorded.

(16) Folk Rogue (1CD) Excellent sounding performances from Newport Folk Festivals, both acoustic and electric.

(17) Acoustic Thunder (1CD) - Poor sound, but good acoustic performances from various Rolling Thunder shows.

(18) Farewell Bloomfield (2 CD) - Very good set recorded in San Francisco 1980 during Bob's born-again Christian period. The band is in great form. Interesting to note that this set was highly recommended by Clinton Heylin, Dylan biographer in one of his books.

(19) Big Bob and Holding Company (1CD) - Material from June 29 1996, at Hyde Park London (a gig I attended), and from his indoctrination into the Hall of Fame, including a duet with Bruce Springsteen on Forever Young. Great sound.

(20) Folksinger's Choice (1CD) - Fantastic early radio broadcast (I think) with interviews and great performances. Essential early Bob.

(21) Satisfied man (1CD) - Rolling Thunder Revue (11/11/75) at Waterbury. A pretty good sounding s/b. Good repertoire with some Desire material. Different sounding Hard Rain.

(22) Violence of a Summer's Day Cologne (2 CD) - 11/5/2000

(23) San Jose Soundboard (1CD) - 19/5/98

(24) The Complete NET covers 1988-2000 (9CD) - There are mixed feelings about this one. Each CD has tracks covering a genre of music (country, blues folk, contemporary covers, etc). Accordingly the sound quality varies from good to poor. I think that the sometime poor sound quality can be overlooked considering the content of what is contained herein. There are some genuinely great covers here of some terrific songs. The most disappointing one is the covers of contemporary artists' songs (Van Morrison, Bruce Springsteen etc.) Face it - Bob was just not made to sing "Dancing In The Dark"!!! Otherwise, a lot of gems here. Look it up at bobsboots.com to make an informed decision.

(25) Rundown Rehearsals (4CD) - A more comprehensive version of the Darkness at the Break of Noon bootleg. This covered 1978 Studio rehearsals for that tour. All brilliant, all essential.

(26) Red Bluff 7/10/2002 (2 CD) - I really wasn't expecting this to be as wonderful as it is. The band are on fire and Bob plays piano - probably a source of inspiration from his first instrument. The sound quality is fantastic (audience). Bob does 2 Warren Zevon covers and Brown Sugar by the Stones. There may be other great shows on the current tour in circulation, but regardless of whether you have all of them or just a handful (guilty as charged) this one should be compulsory for every Dylan fan to have.

(27) Surviving in a Ruthless World (2/2/2002) (2 CD) - I arranged for a trade of this for a friend who's sister had been at this Florida gig, and ended up keeping a copy for myself. Just when I swore I wasn't going to go overboard on 2002 shows. A very good sounding set with a great repertoire.

(28) Theme Time Radio Hour (countless CDs) - Dylan has been called the spokesman of a generation, a cryptic songwriter, an author - but now he can add disc jockey to that list of titles. His Bobness has been hosting a radio show playing his favourite records relating to whatever the theme of that week's show is (including Baseball, Devil, Colours, Drinking, Telephones, Food, Jail and Texas as subjects). Mostly the songs are old country, blues, jazz, doo-wop and rock and roll tunes, but there is the occasional contemporary tune thrown in too. What makes these shows entertaining is Bob's droll observations about the tunes and the trivial facts relating to the theme of the show. I'll trade these individually, as well as collectively. As at September 2008, I have Seasons 1 and 2 and have made several DVDs worth of all the shows in FLAC format, complete with artwork Show details at http://www.xmradio.com/bobdylan/playlist_archive.jsp

(28) Hold The Fort (2 CD) - A Rolling Thunder period set that I suspect is going to be made redundant by the official Bootleg Series Vol 5. A great set in any event.

(29) Stranded in the City That Never Sleeps Vol 1 and 2 (2 x 2 CD) - 11/11/2002 and 13/11/2002 at NY Madison Square Garden. Two more great sets from the latter part of 2002. The show on 13/11 has Dylan doing a lovely version of "Something" in tribute to George Harrison - the only time he did this song on tour (to date).

(30) Just a Song and Dance Man (1CD) - Another great compile put together by the folks at Dylantree.com This features all the cover versions that Dylan did on tour over 2002. Great audience recordings mixed together to flow like a single show rather than a group of songs stuck on a CD. The choice of songs are wonderful - folk through to Neil Young, Rolling Stones and Warren Zevon are all given the treatment by His Bobness.

(31) Bob Dylan in Concert (1CD) - This is the album CBS was supposed to release in 1963 of material from concerts at NYC Town Hall and Carnegie Hall - but didn't. This material will have been circulating in several forms, but this is the way it could have been if officially released. Essential.

(32) Cold Black Water - 13/4/1966, Sydney (2 CD) - I believe this show is in existence under 3 or 4 different titles. This version has been remastered and the sound quality is fantastic. The only problem is that She Belongs To Me, the show opener, comes in a bit late and 10 seconds into it, there's a 1 second noise burst. I have no idea of the reason for that, but as I'm not that fussy, I don't let it detract from what is otherwise a great show.

(33) Going Going Guam (4CDs) - A series of studio rehearsals for the Rolling Thunder tour. Sound quality is very good. While the songs may lack some of the excitement that a live performance might lend them, this is still a great document of the period. It's a chance to hear in the one place many of the songs Dylan performed in this period, many sounding vastly different to the originals - and that also holds for the songs from Desire as well which is using the same band.

THE BAND

(1) Crossing The Great Divide (3 CDs) - A companion piece to Dylan's Genuine Bootleg Series trilogy. Gems ranging from Levon & The Hawks, right through outtakes of The Band albums, live tracks and outtakes from the early '90s revival. Essential.

(2) Academy of Outtakes (2 CDs) - Rock of Ages album outtakes.

(3) After The Waltz (6CDs) - From the Neil Young tree site, this set has been put together to display the talents of the members of the reunited Band (without Robbie Robertson), together and in smaller combos over the years post 1983. I've not heard the whole thing yet, but what I have heard is great, with some stripped back live renditions of material as well as full band performances.

ROLLING STONES:

(1) Liver than You'll Ever Be (1CD) - One of the first Stones boots. This is the Swingin' Pig version, not the 30th Anniversary edition. To my ears, the older SP release has a far better sound. A great live performance from the Stones at their peak.

(2) Happy Birthday Nicky - (2 CD) Afternoon and Evening shows of the Stones 24/2/1973 in Perth. Great Exile era shows.

(3) The Lost Brussels - (1CD) October 17, 1973 Belgium show. Great sound and setlist.

(4) Beat Beat Beat at the Beeb! - (2 CD) Various live recordings at the BBC on a variety of radio shows between 1963 to 1965. Sound varies from good to excellent. An important document in the band's development. Lots of covers and a few originals.

(5) Toronto Blues - (1CD) Keef holed up somewhere with a piano, (presumably) some bourbon, and a batch of great old blues and country songs during a Stones tour of Canada circa 1977. Very relaxed and obviously enjoying himself - and the results aren't too bad.

(6) Black Box - (4CD) Set of early period studio outtakes, alternate versions, unreleased songs, band-only tracks (have a home karaoke party with "Satisfaction" - be the life of that party!!!) Pretty essential for Stones fans.

(7) Mean Ol' World - (1CD) Mick got together with The Red Devils in the early 90s and made a blues album, the likes of which he hadn't done in a lifetime. Unfortunately it never officially saw the light of day, but thanks to trading circles....the result is pretty damn good.

(8) Chess Sessions - (1CD)

(9) Hot Stuff at the Palais - (1CD) 16/8/2002 Toronto. A fantastic sounding set from one of the Stones' small theatre shows on their 2002 tour of North America. This is a Sister Morphine remix. I'm not sure how it compares to the other version doing the rounds, but in its own right, it sounds mighty fine. A pretty good repertoire of material, too. Includes a cover of Otis Redding's I Can't Turn You Loose.

(10) 26/9/2002 Madison Square garden (2 CD) - Not heard yet.

(11) 18/2/2003 Live at Enmore Theatre, Sydney (2 CDs) - A theatre show from the Licks tour. Heaps of these shows around, so what's special about this one? Angus and Malcolm from AC/DC guesting on Rock Me Baby is a pretty good incentive to get this one. It's an ordinary audience recording, otherwise.

(12) Taxile on Main Street (1CD) - Exile on Main Street outtakes. If you love EOMS, then you want this. Nuff Sed.

(13) Get a Line on You (1CD) - Mostly Different material to (12), but also outtakes from same sessions. Just as essential as (12) - maybe more so.

(14) Unreleased Decca Live Album 1972 (1CD) - Now, I don't know the history of this one. Since it was recorded in 1972, I have no idea how it was ever supposed to be slated for a release by Decca. Forget legalities, it's a great Exile-era show.

(15) Coverin' The Blues (1CD) - This may have been put together specially for the Yahoo Stones group. In any event, as the title implies, it's a compilation of blues songs the Stones have covered over their entire career - right from the BBC studios to their Licks tour. Robert Johnson, Muddy Waters, Howling Wolf...all the greats are paid tribute to.

BRUCE SPRINGSTEEN:

(1) Tom Joad Blues - 2 CD set recorded in 1996 on Tom Joad tour. All acoustic. Excellent sound quality.

(2) Someday We'll All Look Back on This - 3 CD set from 1978 tour with E-Street band. Excellent sound quality.

(3) Bruce's Summer Club Hop - 1CD Recorded between 1987 to 1991 in New Jersey clubs with a variety of local bands doing classic rock and roll covers. Good sound quality. [NOTE: Sourced from mp3]

(4) USA Blues 2 - 1CD half recorded at Woody Guthrie tribute night half recorded on solo tour. Excellent sound quality. [NOTE: Sourced from mp3]

(5) The Lost Radio Show - 1CD. Recorded in 1974 at KLOL-FM in Texas. Bruce plays acoustically with guitar, accordion and tuba, plus interview. Fantastic document of the period.

(6) Max Weinberg 7 - (3 CD) Excellent set recorded on December 8 2001, live in Asbury Park with Bruce and special guests belting out some Xmas songs, guests' own tunes (eg. Bruce and Elvis Costello duetting on Alison) and some vintage Bruce tunes, I suspect he hasn't done in years like Thundercrack and Kitty's Back (my fave Bruce tune). There's even a tribute to George Harrison.

(7) Max's Kansas City (1CD) - Early FM Broadcast (circa 1974) of a gig with some acoustic and some band material. Features a couple of songs not otherwise released officially plus material from first couple of albums. NOTE: The last song on the disc Song To Orphans cuts half way through. I've been informed that this is a problem with the source disc. Don't let that put you off from what is otherwise a great boot.

(8) The Saint The Incident and the Main Point Shuffle (2 CD) Another early FM Broadcast with killer material and a the E-Street band sounding great. Brilliant version of Kitty's back. Considered one of the 100 essential boots in Clinton Heylin's history of bootlegs.

(9) Northeast of the Dial - 2 CD Various radio interviews circa 1974 - 1978

(10) Darkness on the Air - 2 CD KMET FM Interview with Bruce on July 4 1978 + other shorter interviews and radio broadcast material circa Darkness on the Edge of Town.

(11) Sony Studios - (2 CD) Not Listened to yet.

(12) People Get Ready - (2 CD) 30/7/2002 Rehearsal show at Asbury Park Convention Centre. It's the beginning of the Rising Tour. The show is an audience recording, but a reasonable one. Certainly due to it's place on this tour, it warrants a listen. The E Steet Band are playing the new material quite passionately.

(13) The Last Dance - (3 CDs) 12/10/2003 The bookend to the previous listed show. This is Bruce's final show on The Rising Tour. Also an average audience recording (very listenable, though) in front of a New York crowd. A good selection of older material as well as Rising stuff. I love Light of Day as played here. Not as long and excessive as he's played it in the past - it's kept short and punchy.

(14) Acoustic Tales (16/11/90) - (2 CD) Solo acoustic show, with a good selection of material. I think it's a soundboard or a bloody good audience recording. Includes a version of Brilliant disguise, a song I've never heard an acoustic rendition of.

(15) Freehold Night (2 CD) Bruce playing the hometown hero to an adoring crowd. Not bad audience recording. It's great asset is also it's big problem - the song, Freehold that Bruce wrote about his hometown. A very funny song, but the audience whooping and cheering after every line is very tiresome. Otherwise, a good set.

(16) 14/11/2007, Pittsburgh (2 CD) – This is an excellent audience recording of one of Bruce’s early shows of the Magic Tour. In my humble opinion, Magic is Bruce’s best album since The River (not counting the genre-based Seeger Sessions). This fantastic show features some of the great tunes from that album, and a large selection of tunes from the Springsteen back-catalogue all the way back to the “Kitty’s Back” from his Wild, Innocent, E-Street Shuffle album.

(17) 20/3/2008, Indianapolis (2 CD) – Another “Magic” tour show, made significant by the fact that this was the last appearance of keyboardist, Danny Federici with the E-Street band before his tragic submission to cancer. He only appears on a handful of tunes, but when one of them is “Sandy”, it hits home just how vital Fedreici was to the E-Street sound.

(18) Focus on Federici (3 CDs) – Those bootleggers work quickly. Within a few days of Danny Federici’s passing, this set was circulating featuring tracks from existing boots that highlighted his great musicianship.

(19) Basie Theatre Benefit, New Jersey, 7/5/2008 (3 CDs) – Now, say you were on the board of an old, highly regarded theatre that was desperately in need of funds for repairs to restore it to former glory. Say you keep up with an idea for a fundraiser to make these repairs, such as getting your husband and a few of his friends to play a concert featuring two beloved albums played in full, and raise a shitload of cash in the process. This was the situation Patti Sciafla found herself in. She was on the committee of the Basie Theatre in New Jersey and suggested that Bruce and the E-Streeters doa a benefit gig in the theatre to raise money for repairs. In the middle of his stadium-filling Magic tour, Bruce and the band take the time to play at the theatre doing the “Darkness On The Edge of Town” and “Born To Run” albums in their entirety. Not to mention doing half of “Wild, Innocent and the E-Street Shuffle” as the encore. What an incredible show this is. If you love Bruce, you need this.

THE BEATLES:

(1) Complete Fan Club XMAS Records 1963-1969. (1CD) - An interesting document that should be officially released. Beatles clowning around at the microphone to wish fan club members happy XMAS. Each successive XMAS club record gets more adventurous and parallels in style the records made that year. eg. 1967 XMAS club record has Sgt Pepper production values. Front. Back.

(2) White Album Demos - 1CD. Predominantly John Lennon acoustic demos.

(3) Nothing Is Real - 1CD The development of Strawberry Fields Forever from demo through to finished song.

(4) The Complete BBC sessions on CD-ROM - 1CD The Great Dane release in mp3 format on one disc . All broadcasts, the scanned book with all the info about each broadcast and the material performed - an incredible package. Even if you are against mp3s, this is well worth having.

(5) Get Back & 22 Other Songs (1CD) - The original Get Back acetate digitally tampered with, plus some bonus tracks from the sessions.

(6) 30 days (2 CD-Rom) - The 17 CD set squashed into mp3 format over 2 CD Roms plus a transcription of the notes from the book. Basically heaps of material from the Get Back / Let It Be sessions, plus the album as Glyn Johns would have released it.

(7) Anthology More (2 CD) - More odds and sods in the Anthology vein.

(8) Complete Live at the Hollywood Bowl (2 CD) - As the title says, it has all concerts from the 1964 and 65 shows at the Bowl, as well as post show interviews - quite illuminating. Why isn't EMI putting this on CD? The sound quality is similar to the 1977 vinyl release. The boys really sound at times like they couldn't give a damn about performing live. Some songs are shortened from their studio arrangements and their is some sloppy playing in parts. However, this is a genuine part of Beatle History no fan should be without.

 

LOS LOBOS:

(1)30/6/99, Mt Tabor Theatre and Pub, Portland, Oregon. (2 CD)

(2)11/8/1999

(3)18/8/1999

(4) 1/6/2001

- With all due respect to the Rolling Stones' publicity machine, Los Lobos is the greatest rock and roll band in the world. These live sets prove it. Material from all their career - early Tex-Mex right through to latter day experimentation. All have very good to excellent sound quality.

(5) 7/12/2001 Fillmore San Francisco, California (2 CD) - Absolute magic. The sound quality is superb and the band are firing. This includes some live tunes from their new CD Good Morning Atzlan (not released at the time) plus some great covers.

(6) 27/10/2001 Stubb's BBQ, Austin Texas - as yet unheard

(7) 22/4/2001 Magic Bag, Ferndale Michigan - (2 CD) Another excellent show. Very good audience DAT recording. It's superfluous to say how good they play, so suffice to say that the highlights are the cover of Neil Young's "Down By The River" and the rendition of "That Train Don't Stop Round Here"

(8) - Laurie Auditorium 11/5/88 (2 CD) - Acoustic Show. I haven't heard this in full yet, but what I have heard is superb (as is a typical Lobos show).

(9) KCRW Morning Becomes Eclectic (1CD) - 10/4/2000. The group performs live and acoustic on this wonderful KCRW show (thank goodness their shows have been archived on the net, so people over the world can hear them).

(10) Rarities & Radio Tracks (1CD) - As the title says. Going right back to the earliest vinyl b-sides including their covers of Farmer John and Under the Boardwalk.

(11) Latin Playboys 28/3/99 (1CD) - Okay, so technically they deserve their own section (which I'll make if I get any more of their boots). Side project for Hidalgo and Perez. This is weird shit - and I mean that in the most favourable way. This is eerie listening but ultimately, very satisfying. The reason Hidalgo and co are so revered is because they truly embrace their roots AND new sounds, rather than just pay lip service to the concept.

(12) Cesar Rosas 20/3/99, Austin (1CD) - While Louis and David were off being Playboys, Cesar Rosas was promoting his Soul Disguise album. This is a short, but blistering set played at the famous Antones venue in Austin, Texas. It's a fantastic soundboard, and Cesar's band sound like Lobos. Cesar being the "meat and potatoes" (musically speaking) member of Lobos carried on their tradition, while Louis and David were doing more experimental material. If you like rock and Tex-Mex, this set is for you. Includes a great version of his Lobos tune "That Train Don't Come Round Here", as well as solo material.

(13) 11/6/02 Bottom Of The Hill, San Francisco CA - (1CD) This was an invite only show. A great set from the guys. Unfortunately this doesn't have the soundcheck of the day which featured covers of The Wind Cries Mary and Everybody Knows This is Nowhere. Still, shouldn't gripe about what's missing when what's on offer is so wonderful.

(14) 12/6/93 Greek Theatre "20th Anniversary Celebration" - (2 CD) At the time of writing this, Lobos are rapidly approaching their 30th anniversary. Just another band from East LA? Hardly. This is a very special show. The first part features the band in acoustic mode doing a variety of the more traditional Mexican side of their repertoire. The second half has them rocking out with their friends and peers. Who are these friends? Richard Thompson, John Lee Hooker and John Hiatt. It's a reasonable audience recording. Pity it ain't FM, but make no mistake - if you love Lobos, this is a show you must have. It features a version of one of my favourite songs from Kiko, Short Side of Nothing that I haveb't come across that much in a live context.

(15) 30/12/1985 (2 CDs) - Soundboard featuring lots of great early material. Tex/Mex, R & B, and great covers.

(16) 1/2/1984 (2 CDs) - See (14)

(17) 11/10/2003, Buddy's Legends, Chicago (2 CDs) - This is the Tres Lobos lineup - Hidalgo, Rosas and Cougar Estrada, plus some tasty harmonica from Matthew. The material is a lot rawer than a usual Lobos gig, with a heavy emphasis on blues. A great show, and very good audience recording.

(18) 28/9/2003 Pozo Saloon, Pozo CA ("Harvest Music Festival") (2 CDs) A fantastic soundboard. Why the hell isn't this band the biggest on the planet? They've just celebrated their 30th anniversary and are still sounding passionate. Caring about making earthy music rather than flaunting some stupid image keeps them sounding vital. Truly the greatest band on the planet.

(19) 27/2/2005 (2 CDs) - Craterian Ginger Rogers Theatre, Medford OR - For this tour, the band have gone acoustic again. This show starts off with the band doing 3 number without Louis or David who haven't arrived from the airport yet. The dynamics are interesting, but then the band goes into full swing on their arrival. I maintain that in acoustic or electric format, they're the best band on the planet.

(20) 1/3/05 (3 CDs) John Van Duzer Theatre, Humboldt State University, Arcata CA - See (19) Concert + Soundcheck CD.

 

(21) Sydney, Metro, 12/4/2006 (2 CDs) – What I wouldn’t give to have a copy of Lobos’ Melbourne show from only their second (and probably final) Australian tour. Still, this soundboard show from Sydney has some sentimental attachment anyway. The band treated the audience to a smorgasbord of songs across their career, although strangely nothing from The Ride – their most recent album to that time. Can’t complain too much though when they open the show with Mas Y Mas, their greatest moment.

 

(22) Byron Bay 13/4/2006 (1 CD) – This show was recorded the following day from (21), in the beach community of Byron bay at the annual East Coast Roots and Music Festival. Another great soundboard show, featuring my favourite song from Kiko, “Short Side of Nothing”, a song I’d requested of Steve Berlin for the band to play in Melbourne.

 

MARSHALL CRENSHAW:

1) 15/6/02 (2 CD) - Marshall with a band is performing a range of older and more recent material. If you like great pop songwriting, Marshall is the man. I'm not sure every arrangement works here (my favourite song Fantastic Planet of Love doesn't quite work here) but most of it is brimming with pop greatness. Soundboard.

2) 18/8/87 (2 CD) - From a gig in Philadelphia featuring (I think) the original MC band. This is an excellent FM broadcast of a very high-energy show. Marshall is in fine form.

3) 11/9/2003 (2 CD) - Recorded in a venue called The Bamboo Room (in San Fran?). This is a good audience recording of Marshall in solo mode. Included is material from his sublime album of 2003 What's In The Bag? as well as old favourites.

BEACH BOYS AND SOLO:

1)Smile - 1 CD. The alleged masterpiece Brian Wilson was working on after Pet Sounds. Not a masterpiece in this form, but certainly a lot of interesting stuff here, including a collage of the sessions for Good Vibrations to see its development.

2) Time To Get Alone Again (2 CDs) - An unusual one. This has studio sessions from 65 to 67 including a VERY long stint on the Help Me Rhonda session. Wanna hear Murry pushing his boy Brian over the edge? This is the place to do it. To be honest, some of this stuff doesn't sound that radically different from the officially released material, but is still interesting to hear - especially the afore-mentioned Help Me Rhonda sessions.

3)Dennis Wilson - Pacific Ocean Blue - (1CD) A long deleted solo album from the Beach Boys drummer. A very good album, indeed. It's better than BB material of the period by a long shot. It has a tougher sound and is a bit darker than what one might expect from a Beach Boy. Songwriting is very strong.

4) Dennis Wilson - Bamboo - (1CD)

5) Brian Wilson - Sweet Insanity (1CD) - Allegedly this album was rejected by the folks at Warner. In my humble opinion, this suffers from the same problem plaguing the official "Brain Wilson" album of 1988. The material is good, but suffers from the awful 80s production values (including those f*&$ing awful Linn drums). Still, if you can look past the production to the songs, all the great Wilson traits are there - glorious melodies and rich vocal harmonies.

6) Brian Wilson - Royal Festival Hall, London 24/2/2004 (2 CDs) - Until this gets officially released, this will be a trader's gem. The Sandbox man is (at time of writing) touring the world again doing a first half of Beach Boys tunes, and a second half featuring "Smile" in its entirety (plus an encore of Beach Boys dance classics). The centrepiece of the show is Smile. It is truly magical. The music is wonderful and finally, we can have an idea what Brian Wilson had in mind all those years ago. If it had been completed in the way presented here, it definitely would have been acknowledged as a masterpiece. The recording is a good audience recording, but it wouldn't matter if the microphone had been inside a boxing glove - the music would shine through. This music will definitely make you SMILE.

MARTIN SEXTON:

Eddie's Attic 6/10/02 (3 CD) I've not heard all 3 CDs but I've listened to most of this set. It's a pretty good audience recording in an intimate venue. Just Martin on guitar and vocals and a drummer. I've had the good fortune to see him once in Australia (if you're reading this Martin, come back to Oz) and he had the audience mesmerised as he obviously does on this date. A great variety of his material. He has THAT voice. Even the very annoying habit of audience members to yell out "yeaaahhh" and "allllll rigggghhhht" and "we love you" DURING THE SONGS doesn't detract from this fantastic material.

JEFF BUCKLEY:

Live from 3RRR Rooftop Café' 31/8/95 (1CD) - This is extremely sentimental for me. This is a show I was at, when Buckley came on the first of his two trips to Melbourne, Australia. This was a short acoustic show (acoustic bass, guitars and if memory serves, bodhran), but as I'm not aware of how many other shows like this are in existence, I think this one is special. It was a grey skied, rainy evening ("damn this precipitation..") in the inner urban area of Fitzroy, played on the rooftop of public station 3 Triple R, a HUGE supporter of Buckley's. The tarpaulin the band were playing under threatened to fall apart under the force of the strong winds. The rain didn't bother the faithful. If you love the music and voice of Buckley, it's a worthy addition. The material was recorded from the radio station's live broadcast of the event. Also included here is the interview that 3RRR announcer The Ghost (aka Stephen Walker) did with Buckley just before the performance. I don't think this is widely distributed, so if you're a Buckley fan you'd do well to consider this.

PAUL KELLY:

1) Rarities (4CDs) - A great compilation of songs stretching from Paul's days with the Dots through to a few years back and covering all phases of his career in between. Sources are b-sides (not currently in print on official albums), radio broadcasts and the like. This features songs not otherwise available, covers and new takes on old favourites. My favourites are his take on the old Sinatra song "All the Way" and his acoustic rendition of How To Make Gravy - my personal nomination for his greatest song.

2) SNAP (1CD) - Featuring Paul with Messengers on KCRW radio program, Snap, doing interviews and playing some live tunes and acting as ambassador for Australian music in general.

3) Live at the Wirless (1CD) - Recorded at JJJ studios for their Live at the Wireless sessions in 1990, 97 and 2001. A diverse amount of material is covered.

AC-DC:

B.S. We Love You (2 CD) - You either love this or you don't - there's no preaching to the non-converted. I'm a fan of Bon Scott era AC/DC and this double CD features concert material performed between 1976-79 in England and broadcast on the BBC (so you know the sound quality is excellent). My favourite is Let There Be Rock presented here in 2 earth shattering, testicle crunching renditions. For those who want to RAWWWKKK...

TOM WAITS:

(1) Cold Beer on a Hot Night - 1 CD. Great show recorded in Sydney back in 1979, while he was still into the jazz thing. Highlight is a very different Pasties and a G-String from the original studio version. (?/3/79) Front. Back. Inner. CD.

(2) Storyteller in Austin - (2 CD). Recorded from the TV show plus a gig from Austin in March 1999. The music is great and Tom is in fine storytelling form (he should have a side career as a standup comic). NOTE: There are a couple of jumps on CD 1, Track 10, "Downtown Train". You may find this annoying, but it's otherwise a great show. I'm not sure if a corrected version of the disc is in circulation.

(3) "Alice" Demos - 1CD. I believe these demos were recorded in 1992. These could have been released in their own right as the album. Very much in the Black Ryder vein.

(4) VH1 Storyteller - (2 CD) The complete show as opposed to the broadcast version. Sound is better and there's more of it. Which is a good thing. Great songs and stories from the great man.

(5) Tales From the Underground - (5CD) Not listened to yet.

(6) Surfin' Minneapolis (1CD) 16/12/75 - A very early gig with Tom at the piano (and guitar on one song) in front of a small audience on this FM broadcast. I love this early material, and New Coat of Paint is great here.

(7) 13/11/2004, Antwerp (2 CD) - An great audience recording of a show featuring material from Real Gone and other like material. Don't expect any early jazzy stuff here, but a very entertaining set from Mr Waits, nevertheless.

 

ELVIS COSTELLO:

(1) Do the Rumba (1CD) - With the Confederates, his band of the King of America era. Recorded in Japan. This has some KOA classics but different readings of older songs. The acoustic What's So Funny 'Bout Peace Love and Understanding sung with Nick Lowe is exceptional. (21/11/87)

(2) This is Tomorrow (2 CD) - With the Attractions. Great live set from the Blood and Chocolate era, featuring numerous songs from that album and earlier faves. (23/11/86)

(3) Crossroads (1CD) - TV Broadcast from the CMT program pairing rock and country artists - in this case EC is paired with Lucinda Williams. This is a great collaboration featuring songs written by both the songwriters and a cover of the Stones' "Wild Horses".

(4) Royalty Theatre, London 24/11/1986 - (2 CD) Solo show. The sound quality is not brilliant, but very listenable. When Elvis performs it's okay, but a bit faint when he speaks between songs. Worth a listen, though for the great set list and the new spin taken on solo performances of songs done normally with a band.

(5) April's Fool (2 CD) 1/4/89 Reasonable audience recording with excellent song selection.

(6) Totally meltdown (3 CD) May / June 2001 - Reasonably good audience recording of Costello at the Meltdown Fest in solo mode, with the Brodsky Quartet, with Steve Nieve, the Jazz Passengers, and the Imposters (the Attractions minus Bruce Thomas) including material from When I Was Cruel several months before its release. Some pretty good performances and enough variety to keep fans of the various different Elvis hats happy.

(7) McCartney/McManus Collaboration (1CD) Demos and live performances of EC and Paul McCartney featuring stripped back versions of songs they wrote for Flowers in the Dirt and Spike, plus B-sides and never released tunes. I think I prefer some of these versions to the released versions (So Like Candy is a highlight).

(8) Radio Radio (1CD) - EC's various John Peel sessions. Great, mainly early, material.

(9) The Great Unknown (volumes 9-11) (3 CDs)- A heap of rarities, covers etc. Worthwhile for dedicated Elvis fans. Sound quality for the most part is fantastic and the performances / song choices are up to the EC standard.

(10) Melbourne 16/7/2002 (2 CDs) and 17/7/2002 (2 CDs) - It's nice to have a couple of hometown boots. I attended the first of these two shows and loved it. These are both audience DAT recordings, but both sound pretty good. While there is some repertoire crossover on these shows, there is a lot that is exclusive to either gig, so both these shows should be for your consideration. Setlists are available at the excellent http://www.elviscostello.info/ website.

(11) Bochum 21/5/2004 (2 CDs) - During the 90s, Elvis and Bill Frissell did a concert collaboration, the result of which was the lovely (but short) EP Deep Dead Blue. In 2004, the two did another concert together with Bill's band, and this pretty good audience recording documents that evening. As well as material covered on that original EP, they make their way through parts of the Elvis songbook suitable for this setting. Included are some Attractions material as well as songs from North and the Bacharach collaboration. These are two very fine artists and the material works very well in these arrangements.

(12) Melbourne 23/11/2004 (aka I Do Like to be Beside the Seaside) (2 CDs) - EC and the Imposters return to Melbourne to play the stately Palais Theatre in seaside suburb St Kilda (hence the title). A good audience recording of a great show on the Delivery Man tour. Lots of great tunes to please the hardcore EC fans (and Oliver's Army to please the "oldies but goldies" casual fan). Plus it's recorded in my hometown, so I'm sentimental.

(13) Sydney 25/11/2004 (aka Psycho in Sydney) (2 CDs) - Recorded 2 days later from (12). Naturally, there's some crossover, but having a back catalogue as wide as EC's means there's a lot of tunes not performed from the Melbourne show. Another great show and a good audience recording.

(14) Leicester 22/10/1977 (1CD) - A great early soundboard (could have been released legitimately, it's that good!!!) with the Attractions (don't seem to find too many current day EC soundboards, do we?). They rip through that early material from Aim and Model.

(15) 30/07/2005, Columbus, Ohio (3 CDs) – This sees Elvis with the Impostors shortly after the release of his great Delivery Man CD. The special guest on a sizeable portion of the show is Emmylou Harris. A reasonable audience recording.

 

THE KINKS:

Secret Sessions(3 CDs) - Disc 1 features BBC sessions (not duplicated from the official release), one disc of studio material and one live recording.

LOUDON WAINWRIGHT III

(1) WFUV Radio sessions (1CD) Recorded on Merv Griffin show (28/2/98) and City Folk Sunday Breakfast (1/3/98). Loudon in interview and acoustic performance with songs from Little Ship. Great sound quality, enjoyable discussion and great songs. If you like Loudon, you know what you're getting here.

(2) Live at Schuba's '96 (2 CD) - Each CD represents and early and late show. A terrific soundboard recording of 2 wonderful shows. Contains the wonderful "The Shit Song" not (to the best of my knowledge) on any studio LW recording.

(3) Live Through the Years (3 CD) - Really, just 3 separate gigs packaged for a tree project. (Aspen-19/6/1974, BBC studios, London - 1983, Minneapolis -26/10/1988) Great quality, fun songs, serious songs - what more would you want from The Loudo?

(4) Ohio, 15/5/2002 and Beveren, Holland 16/10/2003 (3 CDs) - These two shows have been paired together as part of a tree at the Neil Young tree site (Ohio on CD1, Beveren on CD2, and the remaining songs from both shows on CD3). Features a lot of songs not recorded in the studio (to this point) as well as a lot of favourites. As per usual, Loudo takes his humourous look at relationships ("I Remember Sex") and his serious look at relationships ("4 Mirrors"). I sort of think of Wainwright as the Woody Allen of songwriting. He writes around the same themes consistently, but when the songs are as good as they are, that's not a bad thing.

RICHARD THOMPSON:

(1) Maxwell's, Hoboken, New Jersey (22/7/00)

(2) Somerville Theatre, Somerville MA (19/10/00)

(3) Seattle (12/3/01)

These three are all very good audience DAT recordings of Richard in solo mode from his 2000/2001 American tour. A couple of songs vary on each set, otherwise almost identical. Any one is essential listening.

(4) Doom and Gloom From the Tomb Volume 1 and 2 (2 CD) - Technically speaking these aren't boots. These are the long deleted recordings released through the RT / Fairport Convention fan club. Material not previously released mixed with live versions of existing material covering Fairport, Sandy Denny solo and Linda eras. Fantastic companion piece.

(5) Richard The Gun (2 CD) - Predominantly from a gig in Nottingham, but CD2 has filler from San Francisco. The lineup includes Christine Collister and Clive Gregson, each that get lead vocal turns. Great repertoire of material with very good sound. (11/11/85 + filler 15/3/85)

(6) Live at the Bottom Line (3 CD) - Excellent sound quality. Early and late shows at this NY venue with band circa Shoot Out the Lights. Great range of material. Fave track is Dimming of the Day with Linda's beautiful lead vocal. Filler on the 3rd CD includes demos for Shoot Out the Lights.

(7) Rafferty's Folly (1CD) - The aborted Gerry Rafferty produced sessions for Shoot Out the Lights. Production values are a bit slicker than the released CD. This CD sounds like it has been recorded off noisy vinyl, so one for the completists only.

(8) A Little Comedy, A Little Agony (2 CD) - Audience recording from show on 1996(?) tour with Danny Thompson. Sound quality is reasonable. Performances are uniformly excellent. This was the tour featuring the brilliant Dog Eat Dog in Denmark - the story of Hamlet condensed to 3 minutes.

(9) Live at Memphis Club 1973 (1CD) - Beautiful early recording with Linda. She has a gorgeous voice. Worth it alone for their rendition of the old soul classic "Dark End of the Street"

(10) Live at Getty's 2001 (aka 1000 years of popular music) (2 CDs) - This is a holy grail for RT fans. Playboy magazine asked RT for his top 10 songs of the millenium (although they probably meant the last 50 years). RT really gave them a list for the ages (as it were). Playboy didn't print his list!!! There loss is our gain. He decided to make it into a show (with more than 10 songs). Old English folk songs, Renaissance tunes, and contemporary pop - none of it from his regular repertoire. He tells the origins of the songs to the audience. Apparently he did a similar show at the same venue a year before with a completely different repertoire (keep your eyes out for this one). RT should be given an honorary doctorate in musical history for this. ESSENTIAL.

(11) Columbia Gold (2 CD) - Another great acoustic live set.

(12) An Acoustic Evening 24/3/92 (1CD) - Half RT and half David Byrne, plus encores together. I wouldn't have thought the two merged all that well, but it's a pretty good show.

(13) Cropredy 2002 (2 CDs) - Richard with Danny Thompson playing at the annual Fairport Convention Cropredy Festival. Includes a few tunes from his Getty set (including Britney Spears' "Oops I Did It Again" - Just TRY not to sing along. I dare you!!!) plus a few new tunes to feature on his 2003 album The Old Kit Bag. One of the new tunes features a take on the Taliban very different from Steve Earles' John Lindh's Blues. See what you think.

(14) Alone With His Guitar (1CD) - Not heard yet.

(15) Toad's Place (1CD) - Not heard yet.

(16) Joe's Pub ??/6/2002 (aka 1000 years of popular music) (2 CDs) See 10. RT has released an official version at his website of tunes from various nights of this season. I'm keeping this here because there are some tunes that differ and there is the great audience banter he usually gives, absent from the official release. I still highly recommend you buy the official release from his site as it keeps him in business and the sound quality is considerably better.

(17) Lyric Theatre Manchester 1/7/2003 (2 CD) Pretty decent audience recording of a great show from Richard's Old Kit Bag tour. Full of the usual great songs and verbal wit RT is renowned for.

(18) Strawberry Festival 25/5/2003 (2 CD) - A soundboard show from Old Kit Bag tour. More material than (17) but not too different.

(19) Bottom Line 3/3/1992 and 4/3/1992 (6CD) - Two very special nights at the Bottom Line in New York. Richard's audience wrote down requests (for both Thompson originals and covers they wanted to hear him attempt). He would pull the song names out of a bucket onstage, and then perform the request. He and the audience are obviously having a lot of fun at these shows. Some of the requests break down half way through as Richard has trouble recalling the words. This makes for a lot of enjoyment, and you really wish you were there. The songs are soundboard so sound fantastic. Each night has an early and late set (3 CDs per night). I will separate the shows for trading purposes, but have listed them together as they are the one event. You should really get both of these nights.

BILLY BRAGG:

(1) Mystery Train (2 CD) - FM Broadcast from Irish radio of a special gig of Billy doing an interview then acoustically playing Woody Guthrie material as well as detailed commentary on Woody's life and songwriting. Essential for fans of Mermaid Avenue or just fans of great music.

(2) Mermaid Avenue Demos (1CD) - Soundboard recording of MA outtakes. Not listened to in full yet.

(3) WFUV (1CD) - Not listened to yet.  

PAUL BRADY:

(1) Vicar Street Dublin, 26-10-2001 (2 CDs) - Pretty good audience recording of Paul with band and special guests, including Mark Knopfler and Bonnie Raitt (she duets with Paul on Richard Thompson's Dimming of the Day and it's wonderful). If you like the man, this is worth checking out. I've often thought his studio stuff was too polished. This is earthier. Definitely worth checking out.

PENTANGLE / JANSCH / RENBOURN:

(1) Broadswords and Fair Maidens (1CD) - Not listened to yet.

(2) The Wardrobe 13/9/2001 (Bert Jansch) (2 CD) - Soundboard recorded at The Wardrobe in Leeds. Recorded 2 days after September 11, 2001 Bert comments that he's having "nightmares about falling out of tall buildings". Bert's voice, not to mention his guitar playing, is hypnotising. If you've not heard him before, there is no one to compare him to. It's convenient to put him into the English folk box with a hint of blues influence, but he really is a unique musician. This is a wonderful show and he performs one of my very favourite songs ever - certainly my favourite Jansch tune - Fresh as a Sweet Sunday Morning. He also performs Anji, the Davy Graham tune made famous by Paul Simon.

(3) White Horse Stonnington 12/4/1993 (John Renbourn & Jacqui Mcshee) (2 CD) - The other great guitarist from Pentangle and the group's lead singer do a duo gig. Mcshee is often forgotten about when the great 60s English folk singers are recalled which is a shame as she has a beautiful voice with great breath control. Renbourn is a great guitarist overlooked for Jansch. A lovely show. Sounds like a great audience recording. Occasionally there's a little bit of hum, but not often enough to distract from the enjoyment of the show.

MILES DAVIS:

Radio 3 Documentary (3 CDs) - A great 6-part radio documentary on Miles' life as put together by Ian Carr. Features interviews with musicians who worked with him (eg. Herbie Hancock, John Mclaughlin) plus others who knew him well. A good brief overview on the man.

KEITH JARRETT:

20/11/77 Frankfurt (1CD) - This man just amazes me with his beautiful technique. This is a show featuring Jarrett with the usual ECM suspects (Gabarek, Christensen, Daniellson) recorded from a Radio France FM broadcast. The material is just beautiful. NOTE: There is a one second dropout in on Track 3, Blossom. Unless you're an utter perfectionist, don't let this put you off - the material goes beyond that (in my humble opinion - then again, I'm not a perfectionist).

THE REPLACEMENTS:

(1) Shit Shower and Shave - (1CD) Brilliant live set from this 80s band. Made up of 2 sets recorded in 1989, one as a Tom Petty support. At one stage Paul Westerberg says to the audience, "The Stones are also in Philadelphia, but we're better so fuck 'em". Brash, maybe, but not necessarily incorrect - certainly not at that stage of the Stones' career. This is high-energy rock and roll. Soundboard or FM.

(2) Trackin' Up The North - (1CD) Studio outtakes and offcuts.

(3) Puttin' On The Ritz - (1CD) 27/7/1987 More rockin' fun. Worth it for their rendition of Sweet Home Chicago, alone. Also includes the absolutely beautiful Skyway. A terrific soundboard recording.

(4) It Ain't Over Till The Fat Roadies Play - (1 CD) This is the Mats' final show. The world needs more bands like them. The feeling one gets at the end of this show is "why did they split?" Rock and roll played with passion and sweaty hands. Soundboard.

(5) Studio Sessions Anthology 1980-1991 - (4CDs) Just what every Mats fan needs. Alternative-takes, unreleased etc etc. Punchy, sweaty, testosterone-laden rock.

PAUL WESTERBERG:

(1) Lucky's Revenge - (2 CD) This going to appeal to Replacements fans. Once again, a great rockin' show and a fine sounding recording from the ex-Mats lead singer.

(2) A Lot of Songs - Not For Sale - (2 CDs) I think this a show released by Paul's company to radio stations and other promotional outlets - ie. Not to the general public. That makes it fair game for trading. Acoustic and electric material, Westerberg and Mats. He writes 2 types of songs - rockers to go crazy to, and songs so genuinely beautiful, you'll cry into your beer. Both types are represented.

THE BLASTERS:

(1) 5/10/1985 - (2 CD) Folks, it ain't rocket science. You either love great, sweaty rock and roll or you have no taste. This is a great soundboard recording of the band that really is the aural equivalent of paint stripper.

 

NEIL YOUNG:

(1) Archives Be Damned 2000 (5CD) - Well, it seems that the fans grew tired of Neil's promises to put out the ever-growing box set of archived, previously unreleased material, so they put a set together for themselves. At time of writing, I've only heard 2 CDs worth, but the material is strong and the recordings are (mostly) very good. Material from all periods are covered (including Buffalo Springfield and CSNY eras). Unreleased studio stuff plus live material of tunes he hasn't recorded (or at least released) in a studio. Essential for Neil fans.

(2) A Perfect Echo (8 CD) - A fan started to put together a history of Neil Young featuring the best performances from the best soundboards he had available covering all eras of Neil. This is the result. A worthwhile anthology featuring Buffalo Springfield, CSNY, International Harvesters, Crazy Horse and The Blue Notes - oh yeah, and the Trans tour band (well it ain't all gravy, as Maxwell Smart would have it).

(3) The Missing 2 - This used to be the Missing 6, but since Neil has now released 4 of them it's down to Time Fades Away and Journey Through the Past as being the only out-of-print vinyls not officially released on CD. These are tradeable. Time Fades Away is great - Journey is not. Take your pick.

(4) Neil and the Blue Notes (2 CD)- Not listened to yet.

(5) 2003 Eurotour Compilation featuring "Greendale" acoustic (5CD) - In mid 2003 Neil played acoustic shows across Europe featuring his Greendale album in its entirety in acoustic form for the show's first half. For the second half he'd do old faves acoustically. This set has the Dublin Greendale on the first 2 CDs with one rendition of every older tune covered on the other 3 CDs from various shows on the tour. All are audience recordings, but sound absolutely fantastic. Neil's older songs sound fresh, and hearing Dangerbird played on piano sounds scary and beautiful, all at once. A must-have.

(6) 8/6/03, Tampa, "Greendale" electric (2 CD) - Very heavily traded item at time of writing. A pretty good audience recording of Neil doing Greendale with Crazy Horse. A nice bonus is a recording of a couple of Tampa radio announcers raving on about the concert after the finish - one is a complete moron, but that's what makes it so entertaining.

(7) 5/7/2003 Willie's Picnic (1CD) I believe that Willie Nelson holds some annual picnic / show with a variety of artists. This is possibly one of the only shows Neil did on the Greendale tour, with no Greendale material. FM Broadcast.

MICHELLE SHOCKED:

31/3/89 (1CD) No details about the venue, but I can tell you that it's Michelle in solo mode (probably about Captain Swing era). It sounds like an FM broadcast. She's in great voice. It's also interesting to hear a show like this from today's perspective just to know that she'd do a completely different type of set nowadays.

STEVIE RAY VAUGHAN:

(1) In The Open (1CD) - Not sure of the year but early Double Trouble gig featuring Jackie Newhouse on bass with Lou Ann Barton singing on quite a few songs, hence a fair chunk of actual songs not otherwise available. Pretty good sounding recording with excellent performances.

(2) The Cobras in Studio / Radio (1CD) - One of SRV's earlier bands. More in a funkier vein than blues. The sound is a bit on the flat side, but reasonable. The uniqueness of the material, however, makes it essential for any SRV fan that wants to hear pre-Double Trouble Stevie.

(3) Interview with Billy Pinnell (1CD) - Billy's album shows on the much lamented early days of EON-FM produced very well thought out interviews and great music. He's probably solely responsible for breaking SRV in Australia and this interview (the forth of seven between the two) is fascinating.

(4) Complete Dallas Rehearsals with David Bowie (2 CDs) - Hmmm, I guess this isn't really a SRV recording, strictly speaking. It's a soundboard recording of David Bowie and band (featuring SRV) rehearsing for Bowie's Let's Dance tour back in 1983 (I think). I could start up a new section for Bowie, but as I'm not a true Bowie fan, I'll never add to it. Having said that, I really like the material presented here, and SRV shines on these songs. Credit to Bowie for helping SRV out in the early days, but why didn't he see fit to let Double Trouble tour as support?

 

JOHN LEE HOOKER:

1) Montreux Jazz Festival 15-7-1983(1 CD) - The Boogie Man, The Hook. Ladies and Gentlemen, the vocal and guitar stylings of Mr John Lee Hooker for your aural pleasure. The music is sublime, played with a great band. I think this is an FM broadcast, so the sound is excellent. Boom boom boom boom.............

2) Bedroom Boogie 9/11/1976, Wise Fools Pub Chicago (1CD) - The artwork cover has some sexual innuendous wording, not to mention a silouhette of the female form. The inference in all of this is that this music will make you want to...well...do the bedroom boogie. I will give nothing away, but for those of you not inclined to use John Lee Hooker for your nocturnal activities, you can still enjoy a mighty fine foot-stompin, bluesy time with the Hook. The band sounds great in this mid-70s gig, with the big mass adulation still a few years off. This is a radio broadcast from radio station WXRT. A truly great CD.

3) BBC2 Tribute to John Lee Hooker (1CD) - Radio documentary narrated by rock music's Mr Personality, Van Morrison. There's only so much information one can learn in a 1 hour special but there's interviews with the Hook himself, plus Bonnie Raitt and others.

HOWLIN' WOLF:

Ebbet's Field, Denver Colorado 23/9/1973 (1 CD) - An FM Broadcast of the Wolf with a great band. To be honest, if the announcer didn't introduce Howling Wolf by name, I'd never have know this was him. Gone are the low growlings we're used to from his Chess recordings and he sings these tunes "straight" (including a great reading BB King's How Blue Can You Get?)

LONNIE MACK:

Club on Broadway, Springfield Illinois 30-3-1986(2 CD) - Some wham from the Memphis Man. This is the great man who inspired Stevie Ray. It's a shame that he hasn't been as well embraced as his more famous disciple, but the fans know and appreciate the great tone this man gets from his guitar - and he has a great singing voice to boot. This is a great live recording from the period where his Alligator album Second Sight got released.

THE HOLMES BROTHERS:

Lucerne Blues Festival - Lucerne, Switzerland 14-11-1997 (1CD) - If you know and love the music of these 3 gentlemen, you know you want this. 3 great musicians with 3 great voices, playing an infectious mixture of the happiest blues, gospel and boogie you can imagine. This is REAL party music and this soundboard shows the brothers, Sherman and Wendell with adopted brother Popsy at the top of their game.

DANNY GATTON:

Fox Theatre Boulder, Colorado (6/1/93) (2 CD) - I hope I have the date right (writing from trader was a bit indecipherable). What is important is the content. Do you like Danny Gatton? Get this. Are you unfamiliar with Danny Gatton? Go to a CD shop, buy unfinished business, listen to it incessantly, THEN get this. End of story.

UNCLE TUPELO:

1) Uncle Tupelo Covers Neil Young (1CD) - This actually has Uncle Tupelo plus spin off bands (Wilco, Son Volt, etc) doing covers of Neil Young songs at a range of gigs. If you're into these bands and Neil, you should hear this. The bands definitely do Neil's material justice.

2) Outtakes and B-Sides (2 CD) - Not listened to yet

3) Cover Story

4) Slim's San Francisco 11/11/93

5) Rare Essence of....

6) More Depression

STEVE EARLE:

(1) Tradewinds, Sea Bright, NJ (2 CD) - Great gig featuring a lot of the post-prison material. Encore features Bruce Springsteen as guest guitarist / vocalist. Sound is pretty good, but the energy of the songs is incredible. Filler on CD2 from Slim's, San Francisco, CA 1990 (early show)

(2) Malmo, Sweden, May 11.1999 (2 CD) - With the Del McCoury Band. I have 2 words to describe this set - absolutely sensational (I actually had a different word in mind than "absolutely" but this is a family friendly site). A great recording with bluegrass played by some of its finest practitioners.

DAVE ALVIN:

Berkeley Freight & Salvage 11/11/2000 (2 CD) - Great rootsy sounds from the ex-Blasters singer. Including material from his Public Domain CD, this is a great live performance from the man with that great deep voice.

JEFF TWEEDY:

1)Lounge Ax, Chicago 01/04/2000(2 CD) - Away from the pressure of having to be the lead singer of Wilco, this is Jeff in very laid back acoustic mode in front of the home crowd doing Wilco stuff and some covers. Very enjoyable.

2)Live Covers Anthology (1CD) - Not listened to yet.

3) 4/3/2005 & 5/3/2005 (4 CD), Vic Theatre, Chicago - Two great soundboard shows from Tweedy in between Wilco shows. Tweedy plays some material he hasn't played in a while with Wilco as well as current Wilco favourites. The audience is loving every minute and there are some amusing anecdotes. The last 30 minutes or so of the March 5 show has a scaled down version of Wilco join him to play some stripped back tunes including a cover of I Shall Be Released (Political Science is very funny whether or not you agree with the politics). I'll happily trade the two shows separately, but these two are worth having together.

 

GILLIAN WELCH & DAVID RAWLINGS:

(1) Live at Newport Folk Festival August 2001 (1CD) - Do you love the music of Gillian Welch? If you do, then this is a must have. End of story. The term "hauntingly beautiful" has been overused a bit, but I can think of nothing else to describe her music. This is an excellent audience DAT.

(2) Live Hickory, NC 27/11/97 (2 CD) - Gillian is introduced on this date as one of the best songwriters on the planet. Debate may rage, but let's say she's pretty bloody good. This is a superb soundboard recording. This is worthy of an official release.

(3) NY Town Hall August 2001 (2 CD) - Another great audience recording.

(4) Lexington, Kentucky 10/4/2003 (2 CD) - Pretty good audience recording featuring material from Soul Journey as well as the old favourites we love. There's the audience occasional sound like coughing, stretching of chairs, microphone moving etc, but it wouldn't be a bootleg if we didn't get that sort of stuff would it? Gillian's and David's performances are what counts and they are up to their usual high standard.

(5) Nashville, Tennessee 19/5/1994 (1CD) - Now I don't know how reliable my source is, but I believe this gig is a very early pairing of Welch with Rawlings. The exciting thing here is the number of songs that haven't made it to any studio album. This would be essential for any Welch fan. The material is really good (as one would expect from this pair). There's a little bit of filler from a 1996 gig in Berkley. Soundboard.

(6) Moment's Club Bremen, Germany 31/1/1999 (1CD) - A soundboard. To paraphrase an ad on Australian TV, is Gillian - is good. Beautiful stuff.

(7) Working on a Building (4CDs) - A very early collection of demos from Gillian - in solo mode, with band, and without David Rawlings. Interesting to hear some very different versions of what would become established favourites (a more relaxed Tear My Stillhouse Down for example). A lot of these songs have more of a Nashville sound than what she's become known for. Also featured is a gig recorded in 1994 in San Fran on a Walkman (echoes of Michelle Shocked there), but sounding not too bad. Definitely one for the Welch fan who wants to trace her origins. This project was put together as a labour of love.

(8) Live Covers & Non-Album Tracks 1996-2004 (2 CD) - This is an absolutely awesome compilation put together by fans at the Gillian Welch Yahoo trading group. This is a combination of covers and Welch / Rawlings originals that haven't yet made it to official CD. The sound quality is A+ all the way. The songs venture into the territory of Gram Parsons, Townes Van Zandt, Neil Young, The Band, Lefty Frizell and.......Cyndi Lauper (!!??!!) If only they'd included the Melbourne performance of AC/DC's "It's a Long Way to the Top" this collection would be more than perfect. As it is, it's just perfect.

THE WHO / PETE TOWNSHEND:

1) Tales From The Who (1CD) - Philadelphia, December 4, 1973. Great show with good sound. Featuring a few numbers from Quadrophenia. The band is in great form, particularly Keith Moon who plays like a demon.

2) Lifehouse / Quadrophenia Demos (2 CD) - Labelled as The Who, but really Pete Townshend playing everything. These songs served as the blue prints for what ended up as Who's Next and Quadrophenia. One can hear that Townshend left no room for group arrangement contribution - he had a very firm idea what he wanted with these songs. Pretty essential stuff if only to hear Townshend's vocal takes and general all-round instrumentation skills.

3) The Other Scoop (2 CD) The cover says it's The Who, but once again, it's Pete Townshend demos that for some reason or another haven't made it to the official Scoop albums. A little overlap with Lifehouse / Quadrophenia demos, but there's plenty of other stuff here. Essential to hear the origins of these classic Who tunes and others.

4) La Jolla (??/??/????) (2 CD) - Pete does a charity gig for his favourite theatre group in solo mode. This is an average audience recording, but the performance and Pete's obvious enjoyment of the event make it a good boot to have.

5) Shakin All Over 5/4/68 (1CD) - A soundboard from New York featuring a lot of exciting material. Not as great (to me) as listening to Live at Leeds, but this is still a band in fantastic form. One highlight includes Little Billy (the Who's song for the American Cancer society - Pete Townshend had an evil sense of humour)

6) Bridge Benefit 1999 (1CD) - Imagine The 'OO being asked to do Unplugged, and this would be the result. That's not necessarily a negative thing. Hearing these songs stripped back is pretty good. Roger's voice is less than up to the task of performing some of these vintage Who tunes, unfortunately. Far and away, the best song is the acoustic arrangement of Who Are You. They perform a cover of Dylan's I Shall Be Released with Neil Young at the end. This is a soundboard.

7) The Genuine Scoop (5CDs) - Those of you who have the official Scoop albums won't need any arm-twisting to check this set out. There IS some crossover with the official sets, but the majority is hitherto, unreleased.

8) Quadrophenia, Earl's Court ??/6/96 (2 CD) - The warmup show for what became a whole tour doing their greatest work live. I saw the show they did later that month in Hyde Park with Gary Glitter (hmm), Adrian Edmonson (Vivian in The Young Ones) and others and it was a wonderful experience. This is a soundboard tape.

BILL FRISELL:

1) Warsaw Jazz Festival 3/7/93 (2 CD) - With Quartet. This is a fantastic recording of Bill in Warsaw with his band. I think this may have been at the time of the release of his Have A Little Faith album. There is a lot of that tremolo sound that he should patent. His cover of Madonna's Live To Tell is a highlight.

2) Ginger Baker Trio, Frankfurt 29/9/95 (Frisell, Baker, Charlie Haden) (1CD) - Not heard yet.

3) St Anne's Warehouse, NY, 8/6/02 (1CD) Misterio Simpatico - Not Heard yet

4) Knitting Factory, NY, 18/6/97 (1 CD) - Great audience recording of Bill in solo mode. Just absolutely beautiful and spooky.

5) Knitting Factory, NY, 28/9/96 (2 CD) - Featuring an ensemble of trombone, trumpet, violin and sax, as well as Bill on guitar. Bill is often using non-conventional instrumental lineups, which is what makes his music so refreshing. This may not be everyone's cup of tea, but if you like adventurous and rewarding sounds, this may be for you.

6) OK Hotel Ballroom 1/3/99 (1CD) - With the Willies. Featuring bluegrass instrumentation, but this sure doesn't sound like any conventional bluegrass I know. Bill pushing the boundaries again as to peoples expectations of music forms. Soundboard.

7) Pizza Express, London, 11/3/2000 (1CD) - Recorded at the Pizza Express in London (I wish I had a pizza place in Melbourne that had such fantastic music played on the establishment!!!). Bill is in solo mode here, just playing that magnificent style of guitar and loops that he does. He plays a version of Over the Rainbow here that sounds like it could have worked in a David Lynch film (or maybe while Harry Dean Stanton was crossing the desert in Paris Texas). This tune would be explanation enough as to why he is one of the world's greatest guitar players.

8) Yoshi's 15/6/2000 (1 CD) - With the quartet. Apparently this is an audience recording. I'd never have guessed it. The sound is fantastic (as all my BF boots are). More beauty and weirdness. Highlights: Blues for LA (originally on Gone Like a Train) and Blues Dream. It's all good, though.

9) 16/2/2007 (1 CD) – Bill performs with lap steel specialist Greg Leisz, who’s performed on a few of Bill’s more recent albums. As usual, Bill’s music has that beautiful ethereal quality. The highlight is the duo’s rendition of The Beach Boys’ Surfer Girl.

10) 3/11/2005, Berlin, “The Lennon Show” (2 CDs) – As the title suggests, this is Frisell (with violinist Jenny Scheinman and guitarist Greg Leisz) doing his takes on John Lennon’s Beatles and post-Beatles material. This is a line recording (or a bloody good audience job) and is one of my very favourite boots. Frisell should definitely release this as a legit CD. My favourites are Julia, Lucy In The Sky With Diamonds, and Number 9 Dream, but it’s all great in these musicians’ hands.

11) 1/7/2005, Jazz Alley, Seattle, Quintet Show (2 CDs)Frisell is an incredibly versatile musician. This show with his quintet was recorded just a few months prior to the Lennon show listed above, but the consistent factor is the beautiful dream-like quality of the music. Surfer Girl makes an appearance here in band form.

JOHN McLAUGHLIN:

Melbourne Concert Hall, 1992 (2 CD) - Mclaughlin in concert with his powerhouse trio featuring the incredible Trilok Gurtu on drums. If you've heard the official live album of this lineup, you should get this one. FM broadcast.

PAT METHENY:

1) Sydney Opera House 13/10/85 (2 CD) - With Pat Metheny Group. This is an FM broadcast, although it's got a bit of tape hiss. Still that can't diminish from the overall joy of this show. While I wasn't in attendance at THIS show, I did see him on this tour (unfortunately, his only Australian tour thus far) in Melbourne. I am quite sentimental about this show due to that. All ECM era material (up to his final album for ECM, Full Circle).

2) Warsaw 24/4/95 (with PMG) (3 CDs) - Not heard yet.

3) Glen Ellyn Illinois 6/11/2002 (3 CDs) - A pretty good audience recording of a PMG gig, that covers a range of Speaking of Now material as well as older favourites. This was treed at http://www.clayelliot.com/, so go there for tracklisting details.

4) Trio (w/Holland and Haynes), Tokyo 28/1/92 (2 CD) - An excellent trio soundboard recording. Dave Holland and Roy Haynes play with great empathy for Pat's material. My favourites are the covers of the Horace Silver classic, Lonely Woman and Herbie Hancock's Cantaloupe Island.

5) Austin City Limits 2003 (1CD) - The PMGs performance on the TV program doing predominantly Speaking of Now material.

6) Houston 24/3/81 (2 CDs) - A video sourced recording of PMG circa Offramp. A very good performance and reasonable sound quality. Be aware on that on the first CD there is a slight click when going between tracks. [I will attempt to remove these and reburn the CD. If this message is still here, I haven't got around to it yet] Don't let that get in the way of a fine performance.

7) "Stadtpark" Hamburg, Germany - 29/8/81 (2 CDs) - Featuring the lineup of the brilliant 80/81 album (Metheny, Redman, Brecker, Haden, DeJohnette). The band takes time to explore the music even further than possible on their studio outing. This is a must-have if you are a fan of the original album. FM- broadcast. The version of Everyday I Thank You is sublime.

8) JACK DE JOHNETTE'S PARALLEL REALITIES Montreux, Switzerland 10/7/1990 (2 CDs) - Technically, I should create a new heading for this and put it under Jack DeJohnette as he is the band-leader on this occasion. Still, I'll keep it under the Metheny heading. However you put it, it's still a pretty cool (soundboard) recording. It's fusion based, which is not my first love, but in the hands of Metheny, Herbie Hancock, Dave Holland and DeJohnette, it comes off pretty well.

9) Montreux, Switzerland 03-07-1987 (2 CDs) - PMG recording dealing with early Geffen material and ECM material. FM Broadcast.

10) The Hague 8/7/1994 North Sea Jazz Festival (With John Scofield) (1CD)

Reasons to not get this:

  1. It's TAO
  2. There are 3 or 4 1-second silent spots in the first track.

Reasons to ignore the above;

  1. The recording is excellent (FM or soundboard)
  2. The music is vital and exciting. Scofield and Metheny play like they've been together all their careers.

11) Sardinia 8/8/2001 (Solo) (1CD) - A really lovely solo performance. I think it's a TV broadcast. It's all very melodic and flowing. Pat does a medley towards the end featuring (all too brief) solo versions of some PMG tunes. Highly recommended.

12) The Pat Metheny Group Companion Volume 1, 1976-1980 (3 CDs) - A really great compilation of material, both originals and covers that the Metheny group have performed, but not released for commercial recordings. The fact that there s such an abundance of it makes this project all the more astounding. The quality is incredible, both in performance and recording. Further volumes are to follow, but this alone would be a holy grail to Metheny fans to have so many unreleased tunes in the one place. The genesis of what has become one of the great jazz groups is sprawled out here for all to hear.

13) Catskill Rose, 1/9/2004 (2 CD) - Metheny plays an intimate gig with his trio in front of about 50 people in a little restaurant in the Catskill Mountains. Far away from his bank of equipment and Lyle Mays keyboards, all he has is his guitar and a rhythm section for this back-to-basics gig - well, as back-to-basics as a musician of Metheny's calibre gets. A great audience recording.

RICHARD BONA:

Live at Izzy's Bar 16/3/99 (2 CD) - Richard is currently a member of the Pat Metheny Group as the "voice-as-instrument" member (i.e. the Pedro Asnar / Nana Vasconcelos role). However, out front of his own group as bass player, he is really given a chance to shine. The music is quite different to that of Metheny. It's very funky jazz, and is obviously enjoyed by the audience at what sounds like a pretty small, intimate venue. Sound quality is terrific as is the music.

ANDY SUMMERS:

26/10/2001, Frankfurt (1CD) - Show with one of the most VERY underrated guitarists. Why is he not cited with all the other guitar heroes? His work in the Police was not flashy (ie. not wanky) and he had a distinctive playing style. Since doing his own thing, he has produced some innovative jazz. Here is he is presenting the music of Charles Mingus along with Daryl Jones and Dennis Chambers. A very good radio broadcast.

 RALPH TOWNER:

1)Birdland (with John Abercrombie), NYC 3/5/97 (1CD) - If you're familiar with the beauty of the guitar playing of these gentlemen (both on the fantastic ECM label) you won't need any more arm twisting to be interested in this. They duet on each others' compositions. Soundboard quality is a bonus. The beauty of the music would shine through if the DAT was under a pile of clothing.

2) Sydney, November 2002 (1CD) - A lovely set of tunes broadcast over Australia's ABC network. Featuring originals and a lovely cover of Mingus' Goodbye Porkpie Hat.

ROBBEN FORD AND THE BLUE LINE:

(1)Philadelphia 1991 (1CD) - Not heard yet.

(2)Live at the Fineline 6/7/2001 (2 CDs) - Very slick, note perfect material. I mean that in a good way. He has a great voice and is a damn good guitar player. If you're looking for down-home gritty, earthy blues, this ain't it, but it is damn good music. Very....um....guitar hero. I think this is audience recorded, but is one of the best audience shows, I've heard.

(3) Live in San Fran '93 (1CD) - Not sure of the date this comes from, but the content is great. The band are on fire and sounding very slick and funky. My favourite is his interpretation of BB King's Help The Poor.

 JAN GABAREK:

7/7/91 Messepalast (1CD) - Very long intense pieces from this ECM artist (and I mean that in a good way) and his band. Superb soundboard quality.

JOHN HIATT:

(1) Live at Paramount Theatre (1CD) - 21/12/1996. FM broadcast of an acoustic gig, in Denver Colorado. A fine singer songwriter who has a great audience rapport.

(2) Santa Cruz (2 CDs) - 8/11/2000. FM Broadcast. Another acoustic gig. Another fine show.

(3) Since His Penis Came Between Us (2 CDs) - FM Broadcast, March 1984. Band show from pre - A & M period in the Netherlands, while he was in a more poppy / less rootsy vein. Still a great set of songs with a good band and broadcast quality sound.

(4) Stage Job (with Little Village) (2 CDs) - 15/4/92 Pretty good sounding soundboard of Little Village doing their repertoire with some Hiatt and Cooder solo material.

(5) 2000 Compilation (2 CDs) – A selection of songs recorded from Hiatt’s 2000 acoustic tour. This would make a fine legitimate release. A brilliant compilation.

(6) The Other Sides (3 CDs) – A bunch of b-sides, soundtrack tunes, radio spots and the like.

(7) Sydney 27/3/2008 (2 CDs) – After a very lengthy absence (about 18 years, I think), Hiatt returned to Australia for a tour in solo mode. I had the privilege of seeing him in Melbourne, but this show was recorded the night after that show at the Enmore Theatre in Sydney. The set is almost identical to the one performed in Melbourne with a mixture of old material and a preview of his upcoming album, Same Old Man. It’s a very good audience recording (Thanks, Dennis).

SUZANNE VEGA:

(1) Iron Horse Music Hall, MA 17/2/2002 (2 CD) A pretty good audience recording of Suzanne with her band covering material from most of her albums up until Red Blue and Grey. She is one songwriter that I truly believe has become more interesting as her career progresses (check out the enormous difference between 99.9F and her self-titled album). This is a good show with a cross section of material. My only gripe is the audience clapping along with and singing along on Tom's Diner.

(2) BBC Radio theatre 2/10/1998 (1CD) An FM broadcast of Suzanne doing an intimate show with a double bass player. This features songs from the first 5 albums. Hearing songs from 99.9F are interesting because of the more traditional performance (unlike the radically different band arrangements on the studio album). Highly enjoyable.

JACKSON BROWNE:

(1) Jabberwocky Club 27/3/1971 - (1CD) Lovely solo early acoustic show in Syracuse, New York. Some talk, some singing, all very relaxed and enjoyable. Great sounding recording.

(2) Nina Demos - (2 CD) Publishing demos JB recorded before acquiring a record deal. Some nice material and good sound. I'm convinced this is at a slower speed than intended as JBs voice sounds lower than normal, but still very enjoyable.

(3) Palais Theatre, Melbourne, 21/2/2003 - (2 CD) This is an excellent sounding audience recording from the beautiful old Palais Theatre in my hometown of Melbourne. The songs range from old to new and the band is in fine form.

 

SANDY DENNY:

1)Borrowed Thyme (1CD) - A beautiful collection of demos, blues and folk covers from Sandy and her guitar with a few songs broadcast on the BBC. The demos are wonderful with a very good sound quality. The sound of the BBC tracks are a bit muddy but not too bad.

2) Strange Fruit (1CD) - I think this is an official release, now deleted of BBC material. Hence excellent sound quality. Some solo and some band.

3) Wild Mountain Thyme (1CD) - Technically, this is a Fotheringay set and warrants a section on it's own - but it's here. In any event, Sandy and her post-Fairport group are wonderful here in a series of BBC performances.

4) Fairport Convention BBC sesions (2 CD) - Wot it sez! Great music from this band's heyday. I don't think there's any crossover with their official disc of BBC sessions (which was mostly cover versions).

LUCINDA WILLIAMS:

1) Essence Tour Compilation (3 CD) This set was treed from the Neil Young tree site. A variety of material from this tour with some covers and sound ranging from okay to very good.

2) Live at the Glue Pot (2 CD) - Recorded in a mid 90s New Zealand tour. This is Lucinda with just another guitar player doing the tunes stripped back. A great set with excellent sound.

3) Live @KUT-FM, Texas (1CD) - The information I have is that this live-in-the-studio broadcast took place in October 1981. I'm not sure if the date is right (though, I'm not sure of any dates of shows I get). However, I can say that this is a lovely recording of Lucinda in acoustic mode with a second guitarist and fiddle player.

SQUEEZE:

1) Home Town Boys (1cd) - Actually, this is a Chris Difford and Glenn Tilbrook show. FM Broadcast of a 1995 gig of the ex-Squeeze songwriters. This is their vintage material presented in an acoustic light.

2) Peel Sessions and Demos (1CD) - As the title implies, this is a mixture of demos and live sessions from John Peel's radio show. Apart from a few demos in the middle sounding a little muddy, this is a reasonable sounding boot, with early material from this great band.

3) Corn Exchange 12/5/98 (1CD) - Recorded live and broadcast on the BBC. This was performed at the release of the Domino album. Features a range of current and old songs, including the greatest song about wanking ever, Pulling Mussels From a Shell.

VARIOUS ARTISTS:

1) Psychedelic Archaeology (7CDs) - This is a web distributed set, originally courtesy of the U_Spaces traders, but now distributed by pOoTerland (I dunno what it means either). In any event, this is an incredible set. I've only started listening to it, but it's a sprawling tribute to late 60s psychedelia with heaps of artists of the genre. I presume these are all old 45s (obviously out of print).

2) The Other Anthology of American Folk (4CDs) - I think this set may have been put together by the Dylanpool folks. Following on from the official Harry Smith Anthology of American folk, this fantastic set puts together a lot of early recorded Americana i.e. blues, old-timey, gospel etc from the likes of Henry Thomas, Blind Lemon Jefferson, Reverend Gary Davis and many others. Absolutely essential if you want to know the origins of Americana.

3) Michigan Nuggets (1CD) - This great set of material covers the same sort of ground as the official Nuggets set, but covers bands exclusively from Michigan (MC5, Bob Seger, The Rationals etc.) covering the late 60s. A great set if you're a fan of the official Nuggets set - raw garage pop. The novelty tune is Ballad of the Yellow Beret - at least I hope it was a deliberate novelty. Many thanks to MC for this.

4) George Harrison Tribute Concert (2 CD) 29/11/2002 All the predicted suspects show up for this (McCartney, Starr, Lynne, Clapton etc.) Sound quality is pretty weak, but until the show is released officially, the historic occasion of the event justifies the boot's existence.

5) U-Spaces Promos and Radio Spots Folk (5CDs) - Once again, a set distributed by the good folks at pooterland.com This time it features a heap of ads and radio promos by 60s bands for all manner of products. Want to hear Keith Moon advertise milkshakes (who cares if he never drank them?) How about the Electric Prunes selling wah-wah pedals? Cream selling beer? Rolling Stones selling cereal? A novelty it may be, but a bloody entertaining one nonetheless. Email me for details I'll trade for individual CDs if the whole thing seems excessive.

WILCO

1) Live in Roskilde (1CD) 2/6/99 - I presume this is an FM broadcast. Sound is excellent and the band sounds just fantastic. Old and new material (to the time). I'm looking forward to the January 2003 Australian tour (if they actually make it this time).

2) Yankee Hotel Foxtrot Demos (1CD) - This is the 21 track version. In my humble opinion, this surpasses the officially released album (which I love). As well as earlier takes on some of the songs from YHF, there are other tracks that never made it onto the final album - a real mystery as these are some of the best songs from the set.

3) Fox Theatre, Boulder CO. 23/5/95 (2 CD) - Incredible soundboard. The band are in excellent form.

4) Brown Theatre, Kentucky 20/7/02 (1CD) - Excellent recent gig. This was apparently on their website. Soundboard.

5) Outta Print Outta Site

6) 19/9/2003 and 20/9/2003, Auditorium Theatre, Chicago (4CDs) - Yes, this is two separate shows, and yes, I will trade them separately. However, if you have neither of them, you should get both. These are terrific audience recordings of Wilco in front of an adoring hometown crowd. They perform material from all studio albums, including material played very rarely. There's some crossover, but there's a lot of material exclusive to each night as well. I think these might be the final nights of the tour.

7) The Singles 1994-2002 (3 CD) - Fantastic material. This is all b-sides, radio only promos, soundtrack / tribute album stuff, etc.

8) A Ghost Is Born 2004 Tour Compilation (4 CDs) - As the title implies, this is a selection from the various shows the band did on their 2004 tour plus (on disc 4) their TV appearances to promote the shows and A Ghost Is Born. The material is mostly very good audience recordings or occasionally soundboard. For those who don't want to collect every individual show and want a good sampler for 2004, this is it.

9) Melbourne Palais Theatre, 18/4/2007 (2 CDs) – This is a show I attended, so I feel very strongly about it. This is a very good audience recording. The show came as one of the premiere nights of the Sky Blue Sky tour. The audience was entranced by the new material – not often that that happens. The final encore of Uncle Tupelo’s “Acuff’s Rose” was done with no amplification at all, and came about as a result of a local member of the viachicago trade group approached Jeff Tweedy with a request to do it before the show. What a gain for the audience as a result. Tweedy treats the audience a bit patronisingly in parts for some obscure reason, but because the band is on fire, the audience brushed it aside.

10) Sydney Enmore Theatre, 21/4/2007 (2 CDs) – This show was recorded 3 days after the one I attended, and is a soundboard. There is some crossover between this and the Melbourne show, but both are worth having. Once again, Wilco are in great form here. Tweedy plays up crowd rivalry between Brisbane and Sydney (and Brisbane and Melbourne in (9) for some obscure reason).

REM

1) Missoula, Montana (2 CDs) 31/8/2003 - Fantastic soundboard recording from the band's 2003 American tour. A great variety of material from their career. There are a few staples, but there are also some diehard fan requests (taken from their website - there's democracy at work for you). Highly recommended.

2) Shoreline Amphitheatre, Mt View, California (2 CDs) 6/9/2003 - See description above. Ditto.

 

3) MTV Completely Unplugged 21/6/2001 [recording date, not broadcast date] (2 CDs) - A great range of material performed in a way to bring new life to favourite songs. Some of the unplugged shows can be a bit dubious, but the melodies of the songs and the clever arrangements really work with the material REM has chosen to present.

VAN MORRISON

1) If You Don't Like It, Go Fuck Yourself (1CD) - Brilliant set from 30/6/1974 in Montreux with superb sound. The title of this CD reveals why Van is thought of as music's Mr. Nice Guy.

2) Wonderland Tapes (2 CD) - Recorded in the Netherlands on 22/6/1977, this set features Dr John in Van's band. Sound quality is fantastic, with an FM broadcast and a video feed version. Great song selection.

3) Philosopher's Alternate Stone (2 CD) - Companion piece to the official Philosopher's Stone set. Unreleased studio tracks.

4) Inner Mystic (2 CD) - Brilliant set recorded in California 1971. The band is in top form. This recording is so good, it should have been officially released.

5) Theatre Royale, Wexford 14/3/2003 (2 CD) - A very jazzy set from Mr Morrison. It's a reasonable audience recording. Musically, it shows that his grumpiness and band are in good form, and Van The Man even stretches out on the sax. A worthwhile set.

6) Bottom Line, New York, 1/11/1978 (2 CD) - Another great hit-laden set from the Cheerful One. Soundboard or fantastic audience recording.

7) Van's Gems on Jools (1CD) - A collection of Van's apperances on the Jools Holland program, Later. This is the audio version, but I know there to be a VCD of this around too.

8) Talk About Pop 11/9/1973 (1CD) - Van appearing on an Irish radio show doing material just on acoustic guitar. Quite interesting to hear the songs presented like this after the usual elaborate arrangements afforded on studio and other live recordings.

9) Gypsy Soul (1CD) - An incredible set. These are acoustic demos Van does for a range of songs from Astral Weeks, Moondance, Band & Street Choir and Tupelo Honey. If that isn't enough, there are demos of songs from the same period that never made it to any official album. I wouldn't be surprised if these demos eventually make it one day to a box set, given the tendency for record companies to use these sort of demos as a tempter for long time fans to shell out for stuff from the cupboard. Until that day, we have access to this great bootleg. There's probably a heap more of them out there.

10) Catalogue Strays 1965-2000 (3 CD) - Featuring b-sides (both vinyl and CD singles), a couple of instrumental versions, tracks Van did for other projects with other artists (John Lee Hooker, Holmes Brothers, The Band). All good stuff.

BUDDY HOLLY:

What You Been A-Missin' (4CDs) I never would have expected there to be any bootleg material available of 1950s artists, but it shows what I know. Here is a collection of Holly outtakes, home demos, recordings with other artists, radio interviews, Nashville country material and promo spots. All in all, a great companion for your official Holly collection. Sound quality is quite good for most of it, but there are a handful of tracks that are less than great sound-wise. Don't let that put you off.

PAUL SIMON:

Complete MTV Unplugged - (2 CD) A lovely selection of old and recent material (including one of my favourites, Jonah from One Trick Pony).

SIMON AND GARFUNKEL:

1)Songs for the Asking - (2 CD) An excellent 2 CD set treed at the Neil Young tree site. A sort of live history of the pair featuring material from the 60s on CD1, and after a few brief songs on CD2 from the 70s, most of the rest of the disc is devoted to a 1993 reunion show. Sound quality is pretty good - quite amazing for the 60s material, especially.

2) 20/12/2003, Atlanta - (2 CDs) Recorded as part of their Old Friends reunion tour dragging the Everley Brothers in tow. I confess to not caring for the Everleys, and the short set they perform midway through this show doesn't change my opinion for the better of them. S & G, however, are great and they have a terrific band to bring their classic songs to life (I love Hazy Shade of Winter). While S & G are no longer at the top of their game, this is a great show (a soundboard) and one that every S & G fan should hear.

ALVIN YOUNGBLOOD HART:

1)Smith's Olde Bar - Atlanta, GA 12/2/01 (2 CD) - This great bluesman puts on a show with his band. If you haven't heard him before, his music is more than just standard 12-bar shuffles. He can run the gamut of traditional blues or go on Captain Beefheart excursions. Either avenue is completely satisfying. This is a soundboard recording and the show is really good.

2) Tabernacle - Atlanta, GA 11/4/02 (1CD) - A short acoustic set as a support act for Government Mule. Pretty good audience recording. All good, but Gallows Pole is the highlight.

JOHN HAMMOND:

24/3/2001, Seattle (2 CDs)- While on the subject of great bluesmen, here's a show from the man promoting his Wicked Grin album - all Tom Waits covers. Many of those songs are presented here. It was an inspired idea, and his voice just nails these great tunes. I sort of miss Hammond doing the great percussive style of acoustic guitar he used to play, but when he replaces it with something as good as this, why argue? This is a great soundboard show.

GEORGE HARRISON:

Beware of ABCKO (1CD) - Acoustic Demos for All Things Must Pass. Quite nice to hear these songs stripped back. Features a few numbers that didn't make it to ATMP in any shape or form.

PAUL McCARTNEY:

1) Odd Sox - (2 CD) A series of non-album A-Sides and B-sides from the Wings days to mid-80s. There are some gems (Girl School) and some crap (Check My Machine) - like a typical McCartney album, really.

2) Fool on Capitol Hill - (2 CD) Washington DC, USA. 23/4/2002. A pretty good soundboard recording of McCartney circa 2002. Get this and you'll probably not need much else from this part of the tour (unless you're a completist).

JOE JACKSON:

1) The B-Sides (1CD) - It sounds like someone has taken a lot of care in remastering these B-Sides. The early stuff is material that didn't appear on corresponding albums of the day. The Night and Day period has a few songs in Spanish from the album with a few live versions of faves, plus an XTC cover thrown in. Highlight overall is Joe's cover of Jimmy Cliff's "The Harder They Fall".

2) January 18, 2001 (2 CD) - FM Broadcast of a concert from Paris. Combination of material from Night and Day 2 plus older material. New life is brought to the Night and Day 2 stuff when played with a real band (I'm not a fan of the N&D2 album). Only annoying aspect is when DJ feels the need to pass comments between some of the songs, otherwise a great live set.

3) 11/3/03, Mercury Lounge New York (2 CD) - Reasonably good audience recording of Joe with reunited "Look Sharp" band on day of release of their new album Volume 4. Contains new and early songs. There's a cover of the XTC classic Mayor of Simpleton. It's not a brilliant rendition of the song, but full marks for having heart in right place. Otherwise, quite a good show and worth having if you're a fan (light years better than the English warm-up shows of September 2002, sound-quality wise).

4) Jumpin At The Savoy (1CD) - JJ doing the Jumpin' Jive. This is basically a live version of the Jumpin' Jive album with a couple of other songs. A good audience recording. I absolutely love this. If you're a fan of the great Louis Jordan and haven't heard this period of Joe, give it a try.

5) Joe's Pub 4/8/1999 (2 CD) - From the "Just for the Hell of it" tour. JJ with Graham Maby and Gary Burke travel down some old and new songs in a stripped down fashion at this New York venue. A good audience recording of what sounded like a fun show.

6) Night Music tour 12/12/94 San Francisco (2 CD) - A good audience recording of a tour to promote an underrated album in Night Music. (Any album that could produce a song as good as The man Who Wrote Danny Boy has much merit). Line up is JJ, Graham, Alison Cornnell and the truly wonderful Sue Hadjopolous on percussion (not drumkit). I saw this show when he toured Australia and have fond memories of it. A lot of great material including the transposition of Is She Really..with Different for Girls (words of one on music of the other). Another highlight is JJ playing guitar (?) on I'm The Man - more punk than the original as he really only can play 3 chords.

7) JJ Trio 5/5/2007 (2 CD) – This is a fine show including material from “Rain” using Graham Maby and Dave Houghton. WARNING: Anti-smoking rant approaching. At this point allow me to stop reviewing the disc and get on my soapbox. I’ve always loved JJ as a musician and composer (I even love the often derided “Heaven and Hell” album). As a human being, however, I find him repugnant. I remember seeing him being interviewed on an Australian music program in the mid 80s by an intelligent music presenter (some actually exist). He treated her with utter scorn and contempt. I can tell you she did not deserve his patronising tones. Still, I didn’t drop off the JJ bandwagon. I’ve been aware for many years of him fighting for smokers’ rights (that’s an expression that should be an oxy-moron). Good on ya, Joe. Let Sting, Bono and Sir Bob fight for the rainforests and starving children. Let Billy Bragg sing for workers’ rights. You go ahead and fight for the right for smokers!!! Go on Joe – tell me again how there is no conclusive medical proof that smoking is bad for you. I couldn’t give a shit, Joe – I don’t want your bloody fumes in my face!!!! I found a link at a JJ fan group to a smokers’ website where Joe had written a lengthy article in 2008 saying that he now hated Australia due to limited opportunities to light up in public – gosh, I thought it was because hardly anyone here went to attend his overpriced concerts – how stupid of me. I still think he writes and plays a great song, but the man is an idiot. Australia doesn’t want you back, Joe. Find somewhere that will happily let you smoke yourself stupid. I now step off my soapbox.

BILLY JOEL:

(1) Live at the Bottom Line (2 CD) - FM Broadcast. Seemingly out-of-place? It may not be hip to admit it, but there was a period where the man wrote great melodic pop-songs and this comes from that period. Billy with his band in a club, not an arena, doing material from the early albums (up to Turnstiles). Uses some material from (2) as filler.

(2) Live at Sigma Studios, Philadelphia 1972 (1CD) - REALLY early FM Broadcast with band I never knew he had. This features about 3 songs he never recorded in the studio with some relaxed banter. A very enjoyable recording. I love hearing live renditions of Captain Jack

(3) Retold Vol 2 (1CD) - Demos for songs off Piano man and Cold Spring Harbour. Basically it has alternate versions of existing songs and a few that were never released. About 4 or so tunes have been lifted off the Sigma Studios live boot. The version of You Can Make Me Free starts off as per the released version, but rather than fade out at the two and a half minute mark, the band cranks it up for a full on jam, for another 3 or 4 minutes - definitely a highlight. Overall a great album.

(4) Strangers on 52nd Street (1CD) - Features outtakes from these two albums, including a couple of songs that later ended up on Glass Houses. Very interesting to see early development. Uses some material from (1) as filler.

(5) 11/12/77 New York (2 CDs) - "The Stranger" was riding high in the charts, and Billy was out of the nightclubs and playing large venues. This show covers material from all albums till this point (minus Cold Spring Harbour) in FM broadcast quality. The music is terrific, although I miss the great banter from something like his intimate Bottom Line show.

GARY MOORE:

Once in a Blue Mood - The B-Sides (1CD) - The title says it all really. Most of Gazza's B-sides from his blues singles, now out of print. "Stormy Monday" with Albert King from the Cold Day in Hell single is missing (confidentially, it's one song I can live without hearing again). A pretty good collection.

LED ZEPPELIN:

Bringing the House Down 26/5/1977 (3 CD) - So what (rock) bootleg collection would be complete without a Led Zep boot? For the most part this is pretty good. There's some unidentifiable noise in part of Black Country Woman and the latter part of Moby Dick. Otherwise, it's a pretty good soundboard recording featuring both early and latter material - including an acoustic bracket.

MATTHEW SWEET:

1)Goodfriend (1CD) - To the best of my understanding, this was a record company promo that was released a short time before the Girlfriend album. It features alternate versions (both in solo and group mode) of many of the Girlfriend tunes, as well as a couple of covers.

2)Rarities & B-Sides (3 CDs) - Pretty much what it says. Some Goodfriend material as well. Curiously there's still quite a few B-sides not included with this set, but a lot of what is included is very strong. The man knows how to write a good tune, even ones he considers throwaways.

3)Supervixen - (1CD) - Demos for the Girlfriend album. Not the same thing as the Goodfreind CD.

4)Shapeshifter (1CD) - (4/7/1993) A gig in Chicago with the band in blistering form. Sweet is a great studio performer, but really knows how to put out a full on rock and roll live show.

5)100% Sweet (1CD) - Predominantly material from a gig in April 1995, in Hollywood, plus additional live tracks from assorted shows. A very strong disc which, like Shapeshifter, shows that Sweet's band is a great rock and roll animal in live mode.

6)All Together on the Wireless

 

TEENAGE FANCLUB:

(1) The Ultimate Collection (8CDs) - TFC fan Doug Brown has put together this set of singles (A & B-sides), radio sessions and other odds and sods. A lot of great material, some ordinary stuff too (hey, that's the nature of B-sides), but more material to keep the average TFC fan happy.

(2) Town and Country February 1992 (1CD) - A very rocking set from the Fannies. Soundboard.

(3) 8/4/?? live with Alex Chilton in Glasgow (1CD) - Now this should be the pop fan's idea of heaven - and it works a treat. The Big Star main man teamed up with Glasgow's pop meisters. A bunch of their originals and covers and it just sounds so sweet. Radio broadcast.

AIMEE MANN:

1) 15/6/2001, Hultsfred, Sweden (1CD) Radio broadcast of what sounds like a support gig. Aime writes beautifully crafted pop songs. My favourite is the Beatlesque "How Am I Different?" but they're all good.

2) Attack of the Killer B's (1CD) - I'm sure there are many boots with this title for their collection of b-sides. Here's Aimee's. If you like Aimee (and you should), you'll like this. She's a great songwriter with a smooth voice. Studio cuts, plus live versions of studio faves, all from b-sides.

3) Return of the Killer B-Sides (1CD) - see above.

RYAN ADAMS:

1) Suicide Handbook (1CD) - This delightfully titled recording features many songs in demo form that ended up on Mr Adams' Gold CD, plus some that haven't appeared elsewhere. The man may behave like a prat sometimes, but the music here is great. Very haunting and stark. This may actually have been a limited official release, but is certainly not on the market now. If you like his Love is Hell CDs, it's sort of in that vein.

2) Bedhead (3 CDs) - Live recordings of songs Mr Adams hasn't seen fit to release studio versions (or official live versions) of. This is a fan's labour of love. I haven't heard the whole thing yet. The nature of such a project of a performer this prolific means some of it will work and some of it won't. I like most of what I've heard - Ryan in a restrained, melancholy vein. I believe there's another 4CD set of this type out there called Live is Hell.

3) Live is Hell - Bedhead Volume 2 (4CDs) - A sequel to Bedhead. 2 CDs of original and 2 CDs of covers. Some of the covers are a bit hokey, although some are really great (like the Gram Parsons stuff - Sin City especially).

BECK:

1) Paramount Theatre 27/11/02 (2 CD) - Some acoustic stuff, some electric stuff. The ideal Beck show. This is in promotion of Seachange, I guess. I'm not a fan of all Mr Hansen does, but where it works, he's fantastic - this works. A pretty good audience recording.

2) 27/2/2000 (1CD) - I think this is circa Midnite Vultures. Not my favourite era of Beck, but not a bad show.

KELLY JOE PHELPS:

Great American Music Hall, San Francisco 4-5-03 (2 CD) - If you don't know him, his music is filed away under blues in the CD shops. He can do blues, but the music is more than that. He performs earthy ballads, and is very low-key. His singing and playing are very emotional. This is a great audience recording of him with his band, but still very reserved. Give him a listen.

MARTIN, MEDESKI AND WOOD:

Live at the 9.30 Club, DC 27-10-02 (2 CD) The jazz organ trio with a difference. If you haven't heard them, maybe a good description would be Jimmy Smith meets the Grateful Dead - very funky jazz / hip-hop on a jamming scale. It's a good recording, and the music is really cool.

CHARLIE HUNTER TRIO:

1) Issac Hayes Club Chicago, 9-3-02 (2 CD) I first heard him on a local breakfast radio show. They played his jazzy waltz-time arrangement of Nirvana's Come As You Are. This was a man screaming to have attention paid to him. His self designed 8 string guitar and technique inspire awe. He's played in many band configurations and done a variety of original material and inspired covers (including a whole album of Marley in his fashion). This is a great soundboard of a great show.

2) 24/3/01 (2 CDs) No venue info, but all you need to know is that it's a great soundboard, and Hunter and band are in great form.

TAJ MAHAL:

1) 13-9-97 (2 CD) Once again, I don't have venue or locality info, but great music is great music wherever it's performed. Taj is one cool customer and he's here in band mode putting on a great set.

ERIC CLAPTON:

1) Further on Up The Crossroads - (4CD) An alternative history to the official Crossroads set. This not only features Eric in the usual guises (Delaney & Bonnie, Cream Derek & Dominoes, solo etc), but also as side man for others like John Lennon. Some pretty cool material here. I've not been that keen in collecting much Clapton bootleg material, but this is definitely worth it as another perspective to his career.

2) Blues Night 5-2-90 (2 CD) - A whole show of one of the 24 nights Eric played at London's Royal Albert Hall. The official 24 nights gives an overview of the different types of shows EC did, but this is one whole Blues show with guests, Robert Cray and Buddy Guy (who I think gets too much time here). Soundboard

3) Kind of Blues 3/11/1994 (2 CD) - A blues show predominantly recorded at the Forum in Los Angeles (if only he'd play the Forum in Melbourne). An excellent soundboard recording doing the kind of music he really loves (and makes us forgive him for some of the awful studio albums he's released over the 80s and early 90s). He gives the workout to material from the likes of Robert Johnson (as expected), Leroy Carr, the Kings (Freddy and Albert), and Muddy Waters amongst others. Wonderful stuff.

RAY CHARLES:

Clyde Auditoium, Glasgow, 23/5/1999 - (1CD) A beautiful soundboard. Look - it's Brother Ray. What more do you need to know?

GREGG ALLMAN:

8/10/94, Alabama (2 CDs) - The music press has made a lot about Duane Allman's contribution to rock and blues. Fair enough. The man was an undeniably gifted musician. I feel, however, that brother Gregg's contribution is often over looked. A great organist and incredibly soulful vocalist, Gregg should be held in the same sort of esteem as his late brother. This show is ample evidence of why this should be. This show is a combination of Allman Brothers, solo, and cover tunes. Fantastic stuff.

PINK FLOYD:

1) BBC Archives 1967-1969 (1CD) - As the title implies, this is a set of very early Floyd appearances on the BBC, predominantly for the Top Gear program. VERRYY trippy.

2) BBC Archives (2 CDs) - Same title as above, but these are two live shows recorded for the BBC at the Paris Cinema in London. The first show was in 1970, the next in 1971. Unlike title (1), these are the more lengthy rambling pieces Floyd became known for.

CROWDED HOUSE / SPLIT ENZ:

(1) Enzology (10 CDs audio or 1 DVD FLAC) - Radio New Zealand put together an excellent 10 part documentary on the career of NZ's most famous pop export. Starting right back from the early days when the band progressed from an acoustic folky combo, through to their prog rock (let's face it) phase through to the quirky popsters we came to hear constantly on the radio. The series features new interviews with all previous members, archival interviews, rare live material, and studio material. It's a must have for fans of the Enz. I will trade this as 10 audio discs or as a single DVD with artwork compressed to FLAC format (which you can then extract to your own CDs). If you want more info check out the information at www.fogonthetyne.org.uk/enzology

(2) Shark Attack (2 CDs) - Despite the title being named after a famous Split Enz tune, this is a collection of excellent soundboard recordings taken from live shows, some studio stuff, and Tim and Neil's demos for Woodface before it became a Crowdies project.

ROBERT PLANT & ALISON KRAUSS:

10/5/2008, Dusseldorf (2 CDs) – This is a really excellent audience recording of a show on the Raising Sand tour. A lot of folks were disappointed that Led Zep held up their reunion tour so Planty could tour with Alison Krauss plugging this album. I ain’t one of them. This band is doing fresh things with Zep material as well as Plant and Krauss material and their “Raising Sand” songs – the album of 2007. Led Zep would just be a cash-in. Plant has all the money he needs. Not that he’s doing these concerts for charity, but this is more adventurous. Wouldn’t you rather spend time on stage with Alison Krauss than other aging rockers (albeit great ones)?